Helen Frankenthaler Foundation

Helen Frankenthaler Prints: Seven Types of Ambiguity - Exhibitions

Helen Frankenthaler Prints: Seven Types of Ambiguity

Princeton University Art Museum

Princeton, NJ

June 29 — October 20, 2019

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Helen Frankenthaler, Weeping Crabapple, 2009, thirty-one color woodcut from 18 woodblocks. 25 1/4 x 37 1/4 inches (64.13 x 94.61 cm) © 2017 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York. © 2019 Helen Frankenthaler Foundation, Inc./Artists Rights Society (ARS), New York.

Related News

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A Vital Legacy: a symposium in conjunction with Helen Frankenthaler Prints: Seven Types of Ambiguity

Princeton University Art Museum, Princeton, NJ

September 19 and 20, 2019

Conversations among artists and art historians on the continuing influence, interest, and impact of mid-twentieth century abstraction. 

 

Image: Helen Frankenthaler, Deep Sun, 1983, color intaglio, sheet: 30 x 40½ in. (76.2 x 102.9 cm) plate: 24 x 35½ in (61 x 90.2 cm) © 2021 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS), New York / Tyler Graphics, Ltd., Mount Kisco, New York

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Painting Printing Frankenthaler: The Process of Abstraction, Lecture by Carol Armstrong

Princeton University Art Museum, Princeton, NJ

June 29, 2019 at 5:00 PM

In conjunction with the exhibition Helen Frankenthaler Prints: Seven Types of Ambiguity, Carol Armstrong, Professor of the History of Art at Yale University, explored the artist’s accomplishments in prints. 

 

Image: Weeping Crabapple, 2009

Thirty-one color woodcut from 18 woodblocks

25 1/4 x 37 1/4 inches (64.13 x 94.61 cm)

© 2021 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS) New York. Photograph by Tim Pyle

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How Helen Frankenthaler Made Her Mark on the World of Printmaking

By Louise Nicholson

August 21, 2019
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A Vital Legacy: Helen Frankenthaler Prints | Opening Conversation with Kenneth Tyler

September 19, 2019