The Guggenheim Museum Bilbao presents Helen Frankenthaler: Painting Without Rules, exploring Frankenthaler’s revolutionary approach to painting.  Examining Helen Frankenthaler’s artistic affinities, influences, and friendships, this exhibition interweaves paintings and sculptures created between 1953 and 2002 with select works by some of her contemporaries and peers.

The exhibition is organized by the Fondazione Palazzo Strozzi, Florence and the Helen Frankenthaler Foundation, New York in collaboration with the Guggenheim Museum Bilbao. 

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This Frankenthaler Prints Initiative exhibition will feature 31 works gifted to the Museum by the Helen Frankenthaler Foundation. The exhibition will also include limited edition prints by other artists from the Museum collection who worked with celebrated fine art print publisher Universal Limited Art Editions (ULAE).

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This Frankenthaler Prints Initiative exhibition will focus on the contemporary abstract prints and drawing of Helen Frankenthaler and Elaine de Kooning. Displayed alongside their contemporaries, this exhibition demonstrates important collaborations with American publishers such as Universal Limited Art Editions (ULAE), Tyler Graphics, Ltd., and Tamarind Institute.

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Museum Reinhard Ernst presents an extensive collection-based exhibition of work by Helen Frankenthaler as its first temporary show of 2025.  Including works on paper as well as paintings on canvas spanning the years 1950 to 1995, the exhibition will reveal the variety of the artist’s approach to abstract painting over the decades.

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Echoing the dizzying experience of the Mediterranean sun, the mistral, the waves and the sea spray, but also the immensity of the sky and the marine depths of the island of Porquerolles, the VERTIGO exhibition explores in a unique way the links between the perception of natural phenomena and abstraction since the 1950s.

The Foundation’s loan of Petroglyphs, 1990 will be included in this exhibition.

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In the century since its founding as a public institution, the Morgan’s collections have grown dramatically, deepening the core assembled by J. Pierpont Morgan and his librarian, Belle da Costa Greene, who became the first Director of the institution. This growth is made possible through the support of members and donors who expand and enrich the historical, artistic, and literary contexts of the Morgan’s holdings.

This exhibition commemorates a notable selection of purchases, gifts, and promised gifts ranging from the Middle Ages to the present made in honor of the Morgan’s Centennial.  It will include a recent gift from the Helen Frankenthaler Foundation.

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This Frankenthaler Prints Inititative exhibition will explore how Helen Frankenthaler collaborated with printmakers in print studios and workshops throughout her long career. By focusing on her works on paper, this exhibition considers how printshops are key nodes within the printmaking ecosystems, or sites where artists and printers simultaneously championed technical innovations and created community.

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This Frankenthaler Prints Initiative exhibition will present seventeen prints by Helen Frankenthaler together with prints by her contemporaries such as Grace Hartigan, Lee Krasner, Robert Motherwell, and Jackson Pollock.

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The Museo Nacional Thyssen-Bornemisza is organising an exhibition which brings together the work of these two key names of 20th century art, shown alongside that of other artists who were reconsidering issues relating to the new spatial strategies at this same time.

The Foundation will lend two works by Frankenthaler to the exhibition, including Milkwood Arcade, 1963.

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This Frankenthaler Prints Initiative exhibition will examine qualities of unpredictability, chance, and accident in Helen Frankenthaler’s print practice.  It will position examples of her work alongside a sampling of lithographs, drawings, and watercolors by other artists from The Block’s collection.

blockmuseum.northwestern.edu