During the 1990s, Frankenthaler naturally transitioned from tackling canvases on the floor to using larger sheets of paper laid out on the floor or tabletops for easier accessibility. The continuity between the late work and what came before is striking—the fruits of an intuitive journey graced by mood, imagination, and technical facility. This exhibition, organized by Douglas Dreishpoon, was previously presented at New Britain Museum of American Art, the Weatherspoon Art Museum, and the Palm Springs Art Museum. A publication documenting Frankenthaler’s late period, with essays by Dreishpoon and Suzanne Boorsch, and a roundtable conversation with Katharina Grosse, Pepe Karmel, and Mary Weatherford, is forthcoming from Radius Books.

artisnaples.org

The Shape of Freedom examines the creative interplay between Abstract Expressionism and Art Informel in transatlantic exchange and dialogue, from the mid-1940s to the end of the Cold War. It includes more than ninety works by around fifty artists, amongst them Sam Francis, Helen Frankenthaler, K. O. Götz, Lee Krasner, Georges Mathieu, Joan Mitchell, Ernst-Wilhelm Nay, Barnett Newman, Jackson Pollock, Judit Reigl, Mark Rothko, and Clyfford Still.

This exhibition will travel to the Albertina Modern, Vienna in October, 2022 as well as to the Munch Museum in Oslo, Norway in 2023.

museum-barberini.de

The exhibition Helen Frankenthaler: Painterly Constellations features 74 works on paper alongside a selection of paintings from the individual phases in Frankenthaler’s artistic career. Frankenthaler’s work has rarely been shown extensively in German-speaking countries. The exhibition at Kunsthalle Krems is the artist's first monographic show in Austria and is co-organized with the Museum Folkwang in Essen, Germany, which is dedicating a show to the artist under the same title from December 2, 2022 to March 5, 2023.

kunsthalle.at

The exhibition explores large-scale abstract painting, sculpture, and assemblage, from the 1940s to the twenty-first century, through works from The Met collection and special loans. The Foundation's loan of Western Dream, 1957, remains on view.

metmuseum.org

This exhibition explores what can be learned by juxtaposing the work of two pioneering artists: Helen Frankenthaler and Jo Sandman (b. 1931). Frankenthaler, the elder artist, is more closely identified with image-making, and Sandman, the younger, with process and conceptualism. This exhibition highlights 10 prints and 8 proofs by Frankenthaler that were gifted to the museum through the Frankenthaler Prints Initiative for university-affiliated museums.

Bowdoin.edu

Albertina Modern's autumn exhibition is dedicated to the abstract expressionism of the New York School. After 1945, hard-edge painting and color field painting celebrated a brilliant triumph in Europe and reestablished art’s freedom following the end of the Second World War. The exhibition includes over 100 artworks by international artists and examines the creative interplay between abstract expressionism and informalism in the context of transatlantic dialog from the mid-1940s to the end of the Cold War. 

A version of this exhibition was presented at the Museum Barberini in 2022, the show will travel to a third venue, the Munch Museum in Oslo, Norway in 2023.

www.albertina.at

For the first time in more than 20 years in Germany, the Museum Folkwang is showcasing with this exhibition the powerful oeuvre of Helen Frankenthaler, known as a trailblazer for her role in the transition from Abstract Expressionism to Color Field Painting, in Germany. Starting with her material experiments on paper, in the early 1950s, and, her soak-stain technique of soaking canvas in thinned paint, Frankenthaler revolutionized abstract art. 

museum-folkwang.de