This exhibition features twelve paintings and three large-scale works on paper by Helen Frankenthaler dating from 1990 through 1995. Several works on canvas and paper, on loan from the Frankenthaler Foundation's collection, are included. This will be the first time in almost two decades that a group of the artist’s paintings from this era have been presented in New York, with some that have never previously been exhibited. 

Gagosian.com

The Shape of Freedom examines the creative interplay between Abstract Expressionism and Art Informel in transatlantic exchange and dialogue, from the mid-1940s to the end of the Cold War. It includes more than ninety works by around fifty artists, amongst them Sam Francis, Helen Frankenthaler, Lee Krasner, Joan Mitchell, Ernst Wilhelm Nay, Barnett Newman, Jackson Pollock, Georges Mathieu, Mark Rothko, Hedda Sterne and Clyfford Still. This exhibition was previously presented at the Albertina Modern in Vienna and the Museum Barberini in Potsdam, Germany.

munchmseet.no

Featuring works from the museum's collection in addition to loans from public and private collections, Art, Music & Feminism in the 1950s brings together a diverse collection of works produced by women of the era. This group exhibition explores how these artists played a pivotal role in opening new pathways for women in subsequent decades. The Foundation’s loan of Frankenthaler’s painting Break-through is included.

kiarts.org

The exhibition explores large-scale abstract painting, sculpture, and assemblage, from the 1940s to the twenty-first century, through works from The Met collection and special loans. The Foundation's loan of Western Dream, 1957, remains on view.

metmuseum.org

With more than 80 works by 50 artists, this exhibition explores the idea of inner landscapes and interior worlds—a concept inspired by the island setting of the Villa Carmignac. The Foundation’s loan of Frankenthaler’s painting Overture will be included.

fondationcarmignac.com

Creative Exchanges focuses on three surviving address books hand written by Jackson Pollock and Lee Krasner. The books themselves will be on view alongside more than twenty works by artists whose names, addresses, and telephone numbers appear in them, including Helen Frankenthaler's Cloudscape, 1950, on loan from the Foundation.

stony brook.edu

Connecticut Modern aims to highlight the state's role in the history of 20th century modernism as an important site of contemporary art making. The exhibition draws together many artists and collectors who lived and worked in Connecticut in the 1930s and 1940s. Helen Frankenthaler's Shippan October will be on loan from the Foundation.

BruceMuseum.org